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O zapisi i svedenii 'Mashinalno' Albom 'Mashinalno' byl zapisan v techenie 2004 goda na studii 'Polifon' (zvukorezhissery - Aleksandr Kutikov i Samvel Oganesyan). Odna iz luchshih studij Moskvy uzhe stala dlya 'mashinistov' rodnym domom - stolko vsego bylo zdes zapisano za poslednie 10 let. Pesni iz saundtreka k kinofilmu 'Tantsor' - 'Vremya probuet menya na zub' i 'Ne daj mne upast' byli zapisany na studii na Taganke, zatem v protsesse raboty nad albomom peresvedeny na 'Polifone', a pesnya 'Eti reki nikuda ne tekut' zapisana i svedena na studii GITISa. Aleksandr Kutikov: 'Obschaya stilistika alboma neset v sebe dyhanie segodnyashnego vremeni.
Sovremennye tendentsii, v elitarnoj mirovoj rok-muzyke, zaklyuchayutsya v tom, chto rok-n-rollschiki vozvraschayutsya k starym zvukam, kotorye zvuchat teplee i estestvennee, i bolee tochno peredayut sostoyanie, mysli i idei muzykantov. Na zapisi alboma 'Mashinalno' my ispolzovali organ Korg, starye usiliteli, starye gitary - unikalnyj Gibson i Telecaster 62 goda vypuska.
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My otoshli ot tsifrovyh tehnologij i maksimalno ispolzovali vozmozhnosti zvuchaniya staryh instrumentov'. Andrej Makarevich: 'My nikogda ne gnalis za modoj i vsegda tyagoteli k 'staromu' saundu. Na zapisi pesni 'Po barabanu' byli sdelany modnye kompyuternye fishki, a v ostalnom, my ispolzovali starye zvuki, gitary i klavishnye 60-h-70-h godov'. Winpc nc economy download crack. Andrej Derzhavin: 'Kogda my sochinyali pesni dlya alboma 'Mashinalno' stalo yasno, chto on poluchaetsya v duhe rannej 'Mashiny Vremeni'.
Poetomu pri zapisi mne hotelos kak mozhno rezhe ispolzovat kompyutery i sintezatory, a obojtis lish 'Hammond'-om 'Wurlitzer'-om i temi nemnogochislennymi klavishnymi instrumentami na kotoryh igrali vo vtoroj polovine proshlogo veka.Mne kazhetsya, eta zateya udalas, tak kak prakticheski vse 'klavishi' byli sygrany 'zhivem' i pochti vo vseh pesnyah ispolzovalsya elektroorgan, s kotorym u menya svyazana tselaya istoriya. Na nem igral Tom Kostner kogda oni vmeste s Hajramom Ballokom, Viktorom Bejli i Billi Kobemom vystupali v Moskve. Zvuk organa menya porazil. Dalshe vse poluchilos, kak v yunosti, kogda kupit 'nastoyaschie' instrumenty mozhno bylo tolko u zaezzhih VIA posle kontserta.
V obschem, teper etot instrument zvuchit vo mnogih pesnyah 'Mashiny Vremeni'. Evgenij Margulis: 'U nas bylo po neskolko variantov zapisi dlya kazhdoj pesni. YA pridumal 'Sakura-katane-sake' v tom vide, v kotorom ona zvuchit na plastinke. Kogda my stali igrat ee na repetitsii, my sdelali ee nastolko ne pohozhej na ishodnyj, blyuzovyj, variant, chto my reshili ostavit ee v stilistike Toma Uejtsa, a v kontse vstavit kusochek repetitsionnogo nabroska v traditsii 'bitlovskih' zapisej.' Aleksandr Kutikov: 'My sdelali eto dlya togo, chtoby slushatel mog predstavit, kakaya ogromnaya raznitsa, mezhdu pesnej v iznachalnom variante i tem, v kakom vide ona zapisana na albome, posle mnogochislennyh repetitsij.